NOTATIO

You can simply switch to it in Library > Music Fonts. But there are several projects that use it on my new webpage of Dorico files available for download.

https://ancientgroove.co.uk/dorico/index.html

If you have Dorico, you should also have Sebastian, which has different flags from Bravura.

TBH, I'm not wild about short flags, whatever they look like.

I tend to think of all dynamics as being varying degrees of either piano or forte. Mezzo is as much a qualifier as --issimo.

Slightly OT perhaps, but I just bought a metal Pica ruler. One thousand, two hundred and ninety six points long! I've had a plastic point rule for some time, but finally got my hands on a metal one. I've always preferred working in points, as it fits for all purposes -- 1pt line, 12pt type, 48pt mar...

Right ho.

I'll be making the Dorico file available to the public, when it's finished, so you can see the whole thing.

Thanks, John. I'm not entirely sure how something like this prevents coherent voice leading; but I'm prepared to accept that I shouldn't change it. Screenshot.png He only uses centered beams when there is a melody present above the triplets that prevents the usual beaming style. I thought that: thou...

No: I'm talking about the original beaming and slurring that can be seen in the linked image.

Nevermind the spacing: that will change when I finish the document. My defaults are certainly not the factory defaults, and may well need changing for this piece.

There's also inconsistencies in the slurring. Most of the time, phrases like this have the slur flipped beneath (potentially looking like two tied notes).

But these three are done differently.

I'm copying Fauré's Cantique de Jean Racine, and I have lots of questions about the beaming in the keyboard part. There's a tuplet texture all the way through. Firstly, is the cross-staff really advantageous? Wouldn't this be clearer if it was all in one staff? Ab below isn't that low; neither is D ...

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