NOTATIO

I think that everything you want can be done in Finale. However, you might be better to ask for detailed help on https://www.finaleforum.com/

Apropos of the presence or absence of markings in 19th century scores, I find the difference in approach between the vocal markings, dynamics, tone colour et al , of Verdi and Wagner, both born in 1813, fascinating. Wagner is very sparing with such markings, while in his maturity Verdi sometimes has...

This is not something I've thought about, but I suspect you may be right and that over consistency in this matter can look rather mechanical. Interesting placement of bass clefs in the first example: was this a normal convention at the time? FWIW Out of idle curiosity, and with no idea what I might ...

My uncertain interpretation (I learnt the cello to Grade VIII in my 1950s adolescence, although I became a trombonist): first pair, G as an octave harmonic plus D on open D string; next three pairs A, B, A on the D string, the D's all on the G string. However, I'm not certain, so a currently active ...

Thank you for posting this: it's very interesting.

I didn't even notice the time signatures, but, yes, they do look a bit large. In the years (decades) when I hand copied many of my own parts, I always made time signatures larger than the staves. However, in typeset music that does seem to look a bit wrong. I too would not object if the stave, ledge...

These are most certainly not too thick or distracting for me. However, I'm commenting as a composer (and one time performer) rather than as a professional engraver.

… … … I would use chromatic glisses for the trombone slides. They could be a pretty good approximation if played rapidly. And omit tones as necessary to eliminate hand and thumb crossing, if possible. If the the slides are extensive, you could use both hands.… … … An unbroken slide glissando is lim...

In Rozsa's Cello Concerto's piano reduction, the final beating of the "frusta" (in Italian, don't know how to say it in English, it's the same of the opening of Ravel Piano Concerto in G) is written with an instruction for the pianist to clap their hands. Frustra is ‘whip’ in English. Any...

I'm expecting to completely redo the piano reduction (for soloist's rehearsal) of my 2nd cello concerto. Since I'm revisiting the piece (first performed in 2003), I should probably start the reduction again from scratch, especially as the existing piano rendering is awful. For much of the piece it's...