NOTATIO

No need for those files

OCTO, your fonts are always on point! You’re making some seriously cool designs. I’d like to make a small tweak to the kernings. Once I’ve got it sorted, I’ll post the correction here. Many thanks.

Bravo Nordine! I like the more heavy lines, particularly it is obvious in the Ferneyhough example. It is almost needed in order to balance the font. I think you use Old Standard as a font type, which is somehow too thin and sharp-elegant. Check my Old Music Standard, try it with your examples. Glad...

Hi Roland, Thanks for your encouragements :-D Well, my goal with each NorFonts font I have previously designed and especially this design was to achieve a balance of elegance and meticulous craftsmanship. To ensure its versatility, I'm providing three weight options at an accessible price point. The...

Hi, I am pleased to announce the release of my latest engraver font, Vintage Plate, which features three styles: Standard, Heavy, and Lighter. These styles accurately capture the vintage aesthetic of smooth music notation. Below are some PDF excerpts for your reference: https://norfonts.ma/en/wp-con...

The website is in japanese: https://chaconne-ex.stonemusic.jp/

Out of topic (maybe):

— Don't you think that Sibelius might have the same end like Finale in the next 10 years or so? I feel that Dorico will be an all time winner.

Found it, here is an example: too bad the half-note is too flat so the stem doesn't connect correctly when two voices share the same pitch.

will post something similar to the "Agate Round" model, will search and post an example here.

Thanks for all your comments and remarks, I appreciate it.

Please note that I've tried to emulate exactly the music notation style of Breitkopf & Härtel, that's why you see those uncommon shapes.