Re: MusAnalysis
Posted: 07 May 2021, 20:41
Dan, thanks for working on this so quickly. The period, exclamation point and equal signs work well. And the hyphens are now centered and that system for entering the 5
3 worked just as you said. You might want to put that in the documentation.
So that leaves only
1. the scale degrees, which work as expected in Finale's Text tool, but here is an example of what happens in the Finale Lyric tool: After appearing correctly in the editing frame, the glyph splits up as shown once one leaves the editing frame for that line.
2. How does one produce a single hyphen? This what happens with a single depression of the hyphen key when there is some distance between the letters:
A single hyphen is less common, but does occur. See the original example at the beginning of the thread.
3. The parentheses don't center on the numbers precisely because they are super- or subscripts: 4. I understand about the period for baseline numbers. I was just thinking that having also a set of medium baseline numbers might be helpful, for example to distinguish measure numbers from scale degrees and the voice-leading numbers. And come to think of it having yet another baseline set that is superscript size would solve the parentheses problem 3. above.
There are obvious advantages to mapping to intuitive keys for the accidentals, but perhaps consider having also an alternate mapping using adjacent keys, like j k l for those who would prefer that?
I didn't asnwer your question about the exclamation point. Schenker used that to show an unusual moment in the music that deserved special attention. I can imagine that some might also want a question mark to show questionable or dubious moments in the music, as sometimes appear in scholarly editions.

So that leaves only
1. the scale degrees, which work as expected in Finale's Text tool, but here is an example of what happens in the Finale Lyric tool: After appearing correctly in the editing frame, the glyph splits up as shown once one leaves the editing frame for that line.
2. How does one produce a single hyphen? This what happens with a single depression of the hyphen key when there is some distance between the letters:
A single hyphen is less common, but does occur. See the original example at the beginning of the thread.
3. The parentheses don't center on the numbers precisely because they are super- or subscripts: 4. I understand about the period for baseline numbers. I was just thinking that having also a set of medium baseline numbers might be helpful, for example to distinguish measure numbers from scale degrees and the voice-leading numbers. And come to think of it having yet another baseline set that is superscript size would solve the parentheses problem 3. above.
There are obvious advantages to mapping to intuitive keys for the accidentals, but perhaps consider having also an alternate mapping using adjacent keys, like j k l for those who would prefer that?
I didn't asnwer your question about the exclamation point. Schenker used that to show an unusual moment in the music that deserved special attention. I can imagine that some might also want a question mark to show questionable or dubious moments in the music, as sometimes appear in scholarly editions.