Xenakis

Peter West · Post by **Peter West** » 01 Feb 2016, 18:43

Indeed, and I am keeping your comments on Liszt editions in mind.

John Ruggero · Post by **John Ruggero** » 02 Feb 2016, 01:30

Thank you, Peter.

Peter West · Post by **Peter West** » 02 Feb 2016, 19:50

YAY!!! double bar.

Still a lot of work to do, but I got to the end.

4 day+ (43 hours) for 12 pages!!!

OCTO · Post by **OCTO** » 02 Feb 2016, 20:06

OMG, Peter! Very good!!

It looks like non-quantized improvisation opened in Finale. But cleaned up in your version...

John Ruggero · Post by **John Ruggero** » 03 Feb 2016, 13:17

I see a great page turn at the end of the next-to-last line!

Peter West · Post by **Peter West** » 04 Feb 2016, 10:06

John Ruggero wrote:I see a great page turn at the end of the next-to-last line! (-:

Dammit, there's always one!!!!

John Ruggero · Post by **John Ruggero** » 07 Feb 2016, 17:26

I assume you meant one page turn!

Around the Arnstein office we had a pet joke: "It must be a great piece: it has (the possibility of) great page turns!"

Another was: "This opera can't be any good: too many tremolos."

OCTO · Post by **OCTO** » 07 Feb 2016, 18:27

John Ruggero wrote:I assume you meant one page turn!

Around the Arnstein office we had a pet joke: "It must be a great piece: it has (the possibility of) great page turns!"

Another was: "This opera can't be any good: too many tremolos."

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Xenakis

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