Re: Xenakis
Posted: 01 Feb 2016, 18:43
Indeed, and I am keeping your comments on Liszt editions in mind.
Page 8 of 8
Re: Xenakis
Posted: 02 Feb 2016, 01:30
Thank you, Peter.
Re: Xenakis
Posted: 02 Feb 2016, 19:50
YAY!!! double bar.
Still a lot of work to do, but I got to the end.
4 day+ (43 hours) for 12 pages!!!
Still a lot of work to do, but I got to the end.
4 day+ (43 hours) for 12 pages!!!
Re: Xenakis
Posted: 02 Feb 2016, 20:06
OMG, Peter! Very good!!
It looks like non-quantized improvisation opened in Finale. But cleaned up in your version...
It looks like non-quantized improvisation opened in Finale. But cleaned up in your version...
Re: Xenakis
Posted: 03 Feb 2016, 13:17
I see a great page turn at the end of the next-to-last line!
Re: Xenakis
Posted: 04 Feb 2016, 10:06
Dammit, there's always one!!!!John Ruggero wrote:I see a great page turn at the end of the next-to-last line! (-:
Re: Xenakis
Posted: 07 Feb 2016, 17:26
I assume you meant one page turn!
Around the Arnstein office we had a pet joke: "It must be a great piece: it has (the possibility of) great page turns!"
Another was: "This opera can't be any good: too many tremolos."
Around the Arnstein office we had a pet joke: "It must be a great piece: it has (the possibility of) great page turns!"
Another was: "This opera can't be any good: too many tremolos."
Re: RE: Re: Xenakis
Posted: 07 Feb 2016, 18:27
[emoji1] [emoji1]John Ruggero wrote:I assume you meant one page turn!
Around the Arnstein office we had a pet joke: "It must be a great piece: it has (the possibility of) great page turns!"
Another was: "This opera can't be any good: too many tremolos."