Felipe Copaja wrote: ↑10 Aug 2023, 12:43
I meant stems, ok, the hairpins do cross them, but are cut so lines don't intersect.
I don't know of a rule saying that hairpins may not intersect stems, or staves, which they often have to do in keyboard and harp writing. In this case the alternatives are not too convincing: above or below the two staves would place them rather far from the music.
I don't think there's a need for cutting the hairpins. If anything, the rather unusual look could be distracting.
Anders, there's no "rule" as far as I know, but there are simply instances in my score where the placement of hairpins becomes clunky when there are lots of cross-staff beaming and stems.
@John Ruggero earlier in this thread posted an excellent sample from some Ravel that had lots of hairpins going through staves and whatnot.
Felipe Copaja wrote: ↑10 Aug 2023, 01:43
Just in case it helps, when placing hairpins I never cross stems.
Felipe
Quite a of job in a vector editor, I would just put the hairpins above.
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I found Felipe's version less distracting than many maskings, but, alluding to what Anders said, I wonder if there might actually be a sort of "rule" about this: straight lines may only intersect straight lines. So a hairpin may intersect a staff or bar line, stem, etc. but should avoid cutting through or be masked for a dynamic sign, beam, slur etc. Not so sure about slurs. There might be cases of s-shaped slurs that require the hairpin to cut through.
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John Ruggero wrote: ↑13 Aug 2023, 12:33
what Anders said, I wonder if there might actually be a sort of "rule" about this: straight lines may only intersect straight lines.
I would agree with that. Remember, a lot of "notation" is actually "a graphical representation of values that must be percept as fast and accurate as possible", thus crossing over a slur might make it less legible. My opinion. Slurs, in fact, do cross the staff lines very often, very rarely stems (as ties) and never beams.
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